Way back in my memory there's a scene that I recall Of a little run-down cabin in the woods Where my dad never promised that our blue moon would turn gold But he laid awake nights wishin' that it would. When the world was on our radio, hard work was on our minds.

We lived our day-to-day in plain dirt fashion, With ol' overalls and cotton balls all strapped across your back Man, it's hard to make believe there ain't nothing wrong. But momma kept the Bible read and daddy kept our family fed, And somewhere in between I must have grown Cause someday I was dreamin' that a song that I was singin' Takes me down the road to where I want to go. Now I know, it's a long hard road Sometimes I remember when I stay up late at night, When the sun-up came, we got up and went In the shadows of a working' day, our moonlight hours spent Singin' songs along with Gramma's radio. Now I'm beatin' down a ol' blacktop road, sleepin' in a sack, Livin' in my memories all in vain 'Cause those city lights ain't all that bright, compared to what its like To see lightning bugs go dancin' in the rain.

Momma played the guitar then, and daddy made the saw blade bend, And raindrops played the tin roof like a drum. But I just kept on dreamin' that a song that I was singin' Takes me down the road to where my name is known. Now I'm gone, and its a long hard road Yes, I know, Its a long hard road.

She's history No one would give her a star on the walk She'd have a hundred if pillows could talk where have I seen her before? She's the face on the cutting room floor It's no mystery acting in school at the tenderest age Lit up the room when she stepped on the stage Came to LA for some more she's the face on the cutting room floor she had visions of contracts and thousands of people in line to see her; knocking on door after door after all of this time, Now she's not sure Up in Hollywood stayed with an agent she met in a bar laughed when he told her he'd make her a star where has she heard that before? She's the face on the cutting room floor One night he told her that she'd never get anywhere in her clothes that's what it takes to play movieland musical chairs now she knows Goodbye Hollywood leaving tonight on the 2:30 'hound sunrise or sunset she won't be around but they'll replace her with so many more she's the face on the cutting room floor poor little face on the cutting room floor •. I like to drink my beer Spend time with the boys After work, to down a few Is something I enjoy And sometimes I stay out too late, Yes I know it's true But I love only you. And I like to take life easy Work out in the yard Sleep late on the weekends After an all-night game of cards And drivin' my old Chevy On a Sunday afternoon But I love only you I like my old guitar And I'd like to be a star and shine on you I'd like to write a song The whole world could sing along I love only you I like my old memories The girls I used to know Some of them still have a place My mind likes to go Of all the ones I've cared for Lord knows there's been a few But I love only you Honey, I love only you.

Founded in California during 1966, the Nitty Gritty Dirt Band have lasted longer than virtually any other country-based rock group of their era. Younger contemporaries of the Byrds, they played an almost equally important role in the transformation from folk-rock into country-rock, and were an influence on such bands as the Eagles and Alabama. The Nitty Gritty Dirt Band's beginnings lay with the New Coast Two, a folk duo consisting of Jeff Hanna (guitar, vocals) and Bruce Kunkel (guitar, washtub bass), formed while both were in high school in the early '60s. By the time the two were college students, they were having informal jams at a local guitar shop. It was there that they met Ralph Barr (guitar, washtub bass), Les Thompson (vocals, mandolin, bass, guitar, banjo, percussion), Jimmie Fadden (harmonica, vocals, drums, percussion), and Jackson Browne (guitar, vocals). This lineup became the Nitty Gritty Dirt Band in late 1965, and began playing jug band music at local clubs.

At that time, Southern California was undergoing a musical renaissance courtesy of the folk-rock movement, and the Nitty Gritty Dirt Band fit in with these other folkies-turned-rockers. Browne left after a few months to pursue a solo career, and was replaced by John McEuen (banjo, fiddle, mandolin, steel guitar, vocals), the younger brother of the group's new manager, Bill McEuen. With Bill McEuen's guidance, the group landed a recording contract with Liberty Records and released their debut album, The Nitty Gritty Dirt Band, in April of 1967.

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